Get Bastard or Playmate?: Adapting Theatre, Mutating Media and PDF

By Robrecht Vanderbeeken, Christel Stalpaert, David Depestel, Boris Debackere

ISBN-10: 9089642587

ISBN-13: 9789089642585

This attention-grabbing quantity explores the topic of mutating and adapting media in its relation to theatre and functionality. Bringing jointly overseas students and artists, the editors supply a complete evaluate of the altering nature of theater, concentrating on interactivity, corporeality, liveness, surveillance, spectacle, performativity, and theatricality. Bastard or Playmate? shows how dismantling the medium of theater has ended in a fertile floor for new artwork. This wide-ranging and colourful e-book presents a great consultant for readers surprising with the sector of intermediality, in addition to researchers and skilled theater artists.

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Additional resources for Bastard or Playmate?: Adapting Theatre, Mutating Media and Contemporary Performing Arts

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L’art Minimal, un plaidoyer pour un Nouveau Théâtre’. In: T. De Duve, Essais Datés I. 1974-1986. Paris, 1987. , The Return of the Real. The Avant-Garde at the End of the Century. Cambridge, 1996. , ‘Art and Objecthood’. In: Artforum, 5 (June 1967), p. 12-23. Republished in: M. Fried, Art and Objecthood. Essays and reviews. Chicago, 1998. bastard or playmate? , On the ‘Total’ Installation. Ostfildern, 1995. Kabakov, I. and B. Groys, ‘The Theatricality of the Installation and the Installation of the Theatrical’.

Ithaca/New York, 1999. , Qu’est-ce que le tiers état?. Paris, 2009. , An Actor Prepares. London, 1987. , ‘In de schaduw van Auschwitz en de Goelag-archipel. De Historikerstreit’. In: P. Dassen and T. ), Gegijzeld door het verleden. Controverses in Duitsland van de Historikerstreit tot het Sloterdijk-debat. Amsterdam, 2001. Wiles, T. , The Theater Event. Modern Theories of Performance. Chicago/London, 1980. 42 theater topics Using Recorded Images for Political Purposes Nancy Delhalle Today, more than ever before, the availability of recorded images and the interactive opportunities they provide have made it possible for theatre professionals to focus on form and aesthetic approach.

Here, Lauwers plays on the mimetic or indicial dimension that is commonly associated with photography and film. The figures on the video are only partly those on the stage. Next to the actor playing the part of the dead child’s father we can see Lauwers with two children, none of 46 theater topics whom are visible on the set. Some empathy is thus prompted by the video, creating some sort of identification within a performance from which it is banned, which triggers reflection. While the singing, dancing and acting on the set lead to the audience’s adhesion and create a sense of community brought together by art, the video suddenly breaks this aesthetic movement.

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Bastard or Playmate?: Adapting Theatre, Mutating Media and Contemporary Performing Arts by Robrecht Vanderbeeken, Christel Stalpaert, David Depestel, Boris Debackere


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