By Martin S. Lindauer
Aging, Creativity and artwork: a favorable standpoint on Late-LifeDevelopment explores the strengths and possibilities of previous age as those are manifested by means of the accomplishments of getting older artists, past due creative works, and aged arts audiences. The e-book attracts on scholarship within the humanities, basically in paintings heritage; examines in most cases work and painters, either old and modern; stories empirical examine on creativity and cognition, predominantly from psychology and gerontology; and offers the author's unique reports, together with surveys of paintings historians, questionnaires accomplished by way of getting older artists and humanities audiences, and experiments regarding judgments of paintings through laypersons. The examine offered in Aging,Creativity and paintings: a good viewpoint on Late-Life Development means that creativity maintains into the later years; higher-order psychological skills relating to creativity, like mind's eye and problem-solving, persist till past due in existence; and the elderly's actual, sensory, psychological, and interpersonal expertise might be stronger through engagement with the humanities. This paintings interrelates the disciplines of technology, the arts, and the humanities to shape a synthesis that builds at the strengths of the equipment of quantification of technological know-how; the emphasis at the person within the humanities; and the expressive and intuitive modes of verbal exchange within the arts. Aging, Creativity and artwork: a good viewpoint onLate-Life Development severely examines the psychology of creativity, cognitive improvement, and gerontology, and may be of curiosity to a variety of execs and scholars in those fields.
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Extra resources for Aging, Creativity and Art: A Positive Perspective on Late-Life Development
Xviii, 117, and 119). Chinese scroll paintings , for example, depicted the aged as both respected and feared because of their authority. Similarly, in early Western art , there was a mixture of respect and fear in portrayals of God and the Fathers of the Church, who were invariably shown as old. " In the Renaissance, though, artists like Michelangelo, Leonardo, Titian, and Tintorello treated age as honorable. However, Jacques interpreted Rembrandt's self-portraits as an old man as unfavorable to the elderly.
Physical "hands-on" explorations restructured and integrated ongoing ideas from which creative solutions emerged. Stated more broadly, creative people perceive more, learn fasler, think better, make quicker decisions, and engage in a larger variety of unusual (divergent) modes of thought. They also make more connections, have richer associations, and produce highly vivid images (Lindauer, 1983). Creativity therefore represents "the best" kinds of cognitions, and late-life creativity reveals the cognitive capabilities of late-life development.
An artist renowned in his or her lifetime may be obliterated from history books" (Stephens, 1998, p. 38). At the same time, it is important to state that creativity and aging are not contradictions. To hold that late-life creativity is non-existent or limited, hampers thinking and research on old age, cognitive development, and late-life potential in general ; discourages the elderly's participation in creative activities; and makes it difficult for legislative bodies and communities to promote creativity-enhancing options for the elderly.
Aging, Creativity and Art: A Positive Perspective on Late-Life Development by Martin S. Lindauer